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#momofilmfest : #Urbex #StormDay Bernard “Ben” Kaleb aka Green Hood #GreenHood

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Canberra’s marxist collusionoids exposed for all to see.

The webs they weave

The AFR are now looking at the linkages between the Greens, the Australia Institute, CAER and the ANU.

Green Web

That graphic is missing a feedback loop – John Hewson holds a Honorary Professorial Fellowship at the ANU and is himself an activist in this policy space. This from a recent press release:

AODP Chair Dr John Hewson, himself a Preofessor (sic) at ANU said “This is the tip of the iceberg regarding institutional resistance to the transparency that would prove that these Universities and other institutions are taking some huge gambles on a nice gentle transition to the low carbon economy -and they have no Plan B if they are wrong.” Earlier this week, it was revealed that Australia’s 8 premier universities had apparently colluded in a botched attempt to avoid scrutiny over their long term investment strategies that would include a plan for dealing with the financial risks of climate change.

This information was inadvertently supplied by Monash University just hours after a request by AODP for such disclosure from 300 Universities around the world. It has since emerged that Oxford and Cambridge Universities have also refused to disclose.

“These Vice Chancellors and their investment officers are trusted with this money that doesn’t belong to them – they have a duty to avert the risks to that money posed by climate change,“ Dr Hewson said.

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How does the ACT Government justify spending taxpayers’ money on a theatre work entitled ”Kill Climate Deniers”?

The Left is the natural home of the modern totalitarian – and of all those who feel entitled by their superior morality to act as savages.

How does the ACT Government justify spending taxpayers’ money on a theatre work entitled ”Kill Climate Deniers”?

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What sane Government donates to a project urging others to kill fellow citizens, even as a “joke”? Are these people mad?

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WOMAN WHO PRESIDED OVER MASS RAPE CHILD RAPE IN UK NOW IN CHARGE OF ALL VICTORIA’S CHILDREN IN AUSTRALIA

Zombienomicon

So the individuals who presided over this regime destroyed the lives of 1,400 people in their care, and have paid no price for it. Indeed, some have been promoted, and put in charge of even more children: Sonia Sharp, who was head of child services in Rotherham, is now in an equivalent position Down Under for the entire state of Victoria.

http://www.steynonline.com/6543/the-reformation-of-manners

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#MH17 victim list – MAS

Zombienomicon

f6ffad6b-17fd-4b6a-8d2b-88bce6d4815a_800100 odd AIDS industry people- activists, researchers, etc. amongst the victims. 27 Australians- we’ve just been Bali Bombing-ed back into the united front against Russia, not that we were ever likely to break ranks.

Also sabotages the G20 summit pretty well- no chance of sensible talks there now.

***

VICTIMS LIST AS RELEASED:

Captain: Wan Amran Bin Wan Hussin (male, 50 years old)

Captain: Eugene Choo Jin Leong (male, 45 years old)

Vice- captain: Ahmad Hakimi Bin Hanapi (male, 29 years old)

Vice- captain: Muhamad Firdaus Bin Abdul Rahim (male, 27 years old)

Mohd Ghafar Bin Abu Bakar (male, 54 years old)

Dora Shamila Binti Kassim (female, 47 years old)

Azrina Binti Yakob (female, 41 years old)

Lee Hui Pin (female, 42 years old)

Mastura Binti Mustafa (female, 40 years old)

Chong Yee Pheng (female, 40 years old)

Shaikh Mohd Noor Bin Mahmood (male, 44 years old)

Sanjid Singh Sandhu…

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Urbex Francais

There’s a new article in WIRED interviewing members of the French underground explorers/guerilla repairers/real-life troglodistes UX; i.e., the people who set up a secret, fully outfitted cinema in the Parisian catacombs and subsequently covertly repared the clock in the Panthéon (and then made the mistake of notifying the officials responsible for the building, who deliberately broke it again out of spite); this article, largely drawn from an interview with one Lazar Kunstmann, has some details about the origins of the movement, its motivations, and some of its techniques:

Thirty years ago, in the dead of night, a group of six Parisian teenagers pulled off what would prove to be a fateful theft. They met up at a small cafè near the Eiffel Tower to review their plans—again—before heading out into the dark. Lifting a grate from the street, they descended a ladder to a tunnel, an unlit concrete passageway carrying a cable off into the void. They followed the cable to its source: the basement of the ministry of telecommunications. Horizontal bars blocked their way, but the skinny teens all managed to wedge themselves through and ascend to the building’s ground floor. There they found three key rings in the security office and a logbook indicating that the guards were on their rounds. But the guards were nowhere to be seen. The six interlopers combed the building for hours, encountering no one, until they found what they were looking for at the bottom of a desk drawer—maps of the ministry’s citywide network of tunnels. They took one copy of each map, then returned the keys to the security office.

In some places, UX has been able to create covert connections between networks, using (among other tricks) an invention they call the rolling basin. This is a passage in the bottom of a tunnel that appears to be a grate with water under it; in fact, both grate and water are part of a movable tray on rollers. Voilà trapdoor to another tunnel in a different network. The tray itself is made of concrete, so even if someone raps it with a stick, it sounds solid.

So what does the group do with all this access? Among other things, it has mounted numerous clandestine theater productions and film festivals. On a typical festival evening, they screen at least two films that they feel share a nonobvious yet provocative connection. They don’t explain the connection, leaving it up to the audience to try to discover it. One summer, the group mounted a film festival devoted to the theme of “urban deserts”—the forgotten and underutilized spaces in a city. They naturally decided the ideal venue for such a festival would be in just such an abandoned site.

Kunstmann has some quite scathing words about the officials notionally responsible for the preservation of France’s historical and cultural patrimony, a duty which UX claim they’ve derelicted:

Kunstmann has a gloomy view of contemporary civilization, and in his eyes this affair illustrates many of its worst faults—its fatalism, complacency, ignorance, parochialism, and negligence. French officials, he says, bother to protect and restore only the patrimony adored by millions—the Louvre, for example. Lesser-known sites are neglected, and if they happen to be out of public view—underground, say—they disintegrate totally, even when all that’s needed is a hundred-dollar leak repair. UX tends the black sheep: the odd, the unloved, the forgotten artifacts of French civilization.

It seems that the problem is exacerbated by a culture of officiousness endemic to France’s public service, where the purpose of an office is often overshadowed by the ego of the holder of the office and his (or hers, though, to be honest, usually his) need to stake out turf and engage in territorial pissing matches. Hence the neglect of anything not immediately prestigious and the active hostility to those who show up said official neglect by doing something about it.

UX have learned their lesson from the Panthéon incident; since then, they claim to have repaired some 15 other sites, though have kept the details secret:

I ask him to elaborate on their choice of projects. “We can say very little,” he replies, “because to describe the sites even a bit can give away their location.” That said, one site is “belowground, in the south of Paris, not very far from here. It was discovered relatively recently but elicited very strong interest. It totally contradicts the history of the building above it. In examining what’s belowground, one notices that it doesn’t correspond to the information one can obtain about the history of the site. It’s history in reverse, in a way; the site was dedicated to an activity, structures were placed there, but in fact the site had been dedicated to this activity for quite a long time.”

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#FODI Michael Smith axed before he starts at 2GB (Gatekeeper Bastards) radio

Zombienomicon

Why I won’t be on 2GB on Monday

In April this year 2GB booked me to present Chris Smith’s afternoons program for the 3 weeks starting Monday 30 June.

At 7.15 last night 2GB’s Program Director David Kidd phoned me and said, “We won’t be needing you, you can’t call a Deity a paedophile.”

David told me he was referring to the interview Ben Fordham conducted with me on Thursday this past week.   Just for the record, Muhammad was a man, a prophet –  but not a Deity.

I’ve thought about what I said in answer to Ben’s question.   I think it’s wrong for a man in his 50s to have sex with a 9 year old child.   It is wrong, it’s a crime and it should be called out for what it is.

I know Ray Hadley disagrees with me – perhaps Ray could let us know what part…

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